These are neat. . .

Andrew Moore (American, born 1957). Model T Headquarters, 2009. Chromogenic photograph, 50 x 60 in. (127 x 152.4 cm). Brooklyn Museum, Robert A. Levinson Fund, 2010.40Exhibitions: That Place: Selections from the Collection
http://www.brooklynmuseum.org/exhibitions/that_place/

This reminds me of my dreams. . . I've been dreaming a lot lately about doors. . . and going through them and finding some pretty wild stuff. . . perhaps the artist and I share similar experiences.



Hans Hoffmann, An Affenpinscher (detail), 1580, watercolor and gouache on vellum. Kasper Collection, New York.

Mannerism and Modernism: The Kasper Collection of Drawings and Photographs
January 21 through May 1, 2011

http://themorgan.org/exhibitions/exhibition.asp?id=43\

How could anyone say 'no' to a face like this?!

 Robert Doisneau Untitles, 1952 Vintage gelatin silver print 93/8 x 7 1/8 inches

April 07, 2011 - May 04, 2011
Thursday, April 7th, 6-8pm 

http://www.brucesilverstein.com/artist/232/Night

I am a little obsessed with reflections. I think this image justifies how beautiful they can be. . .

Personal Findings. . .

I found these at an antique mall in the middle of no where. I wonder about the couples who purchased these for their cakes. . . they're probably all divorced. . . or dead. I'm such an optimist.

I found these masks at a second hand store. These things always creeped me out as a kid.. . . even more so now.

I've been taking sculpture pretty serious lately. I welded this out of steel. . . the children are cutout from an old National Geographic. I really want to start combining photography and sculpture more. . .  because it's really fun and interesting!



Personal Findings. . .

We waited patiently for some Pizza. . . and in the meantime. . . we got really artsy.

Asher and Talia. . . up to no good.

My Brother. . . the fire sign.

These are neat. . .

The Production of Space
Studio Museum Harlem
Dawit Petros
Harlechrome No. 2, 2009

Nov 11, 2010 - Mar 13, 2011

http://www.studiomuseum.org/exhibition/the-production-space

It's hip to be a square. . . especially if you're one in this photograph:)

Galerie Lelong, New York
Krzysztof Wodiczko ...OUT OF HERE: The Veterans Project
February 12- March 19, 2001
Seven-channel video, color with sound; 8:20 minute loop
Installation view:
http://www.galerielelong.com/exhibitions/current

Windows attract me. They are so revieling. . . and so mysterious.


RACHEL PERRY WELTY
Janus/Symbiosis, 2010
Yancey Richardson Gallery
http://www.yanceyrichardson.com/current/?page=1&work_id=1591

This piece excites me. It reminds of how funny and scary art can be.

Personal findings. . .

My eyes were fucking up this week. . . so I had to go here. 

Maybe they hurt because I'm slowly turning into an Alien and

I need new special kinds of eyes O.O

Julian and his cousin. . . and they have the same unintentional pose. . . 

I sometimes just love when this happens. . . 

Lexi's window. A combination of trees and houses. TREE HOUSES! 

It felt just as gloomy as it looks. . . 

These are neat. . .

535 W 22nd Street  New York, NY

Bernd and Hilla Becher. Plant for Styrofoam production, Wesseling

near Cologne, Germany, 1997

http://www.diacenter.org/exhibitions/main/76

If I saw this. . . i would have taken a picture also. Factories are neat to look at but they are also a little creepy. Maybe it's because they remind me of Alien spaceships.

 Robert Polidori - Unit 4 Control Room, Chernobyl, 2001 

January 22- March 12

http://www.camerawork.de/

This image oddly reminds me of a lucid dream I experienced last night. It was both beautiful and terrifying. . . this one reminds me of Aliens too. . . weird!

KAHN & SELESNICK: THE APOLLO PROPHECIES AND MARS ADRIFT ON THE HOURGLASS SEA January 14 - April 3, 2011http://www.mocp.org/exhibitions/2011/01/kahn_selesnick.php

Okay. . . seriously? Maybe I was abducted by Aliens last night or something cause this is just freaking me out. Anyway, I like this picture. 

Stillborn, 2010, Ink jet print, Courtesy Carl Hammer Gallery, Chicago and Yancey Richardson Gallery, New York

                       The shadows were strong. . . I took this image on my cell phone. . . I still really like it

There were a lot of lights. . . so, I took a picture of them all.

My work

This image is funny because they both have beards!

 

 

http://calendar.walkerart.org/canopy.wac?id=5894

Marc Swanson, untitled (looking back buck)

 January 29 - May 8, 2011

Walker Art Center
1750 Hennepin Ave.
Minneapolis, MN 55403

 

I like this image because it is mysterious and strange. This animal may be looking for the rest of its body and perhaps wondering why there are small, shiny, plastic spheres covering what's left.

George Segal (1924–2000), Walk, Don’t Walk, 1976. Plaster, cement, metal, painted wood, and electric light, 109 × 72 × 74 inches (276.9 × 182.9 × 188.9 cm)  Whitney Museum of American Art, New York

This image is interesting to me because it is something that we see one a daily basis. We as human beings are always waiting. . . waiting. . . waiting--like statues for moments at a time.